Soul Mountain

Soul Mountain by Gao Xingjian, published by HarperCollins on December 5, 2000, is a first edition work comprising 528 pages. This novel follows the author’s journey after a misdiagnosis of lung cancer leads him to flee Beijing and explore the remote mountains and ancient forests of Sichuan, China. Through this epic voyage, Gao engages with a variety of characters and stories, reflecting on themes of freedom and the human experience in a repressive cultural environment.
Readers will find that Soul Mountain delves into the complexities of identity and memory as the narrator encounters diverse traditions and landscapes. The narrative intertwines personal reflection with the broader impact of the Cultural Revolution, showcasing a rich tapestry of voices and perspectives. As the narrator searches for meaning amidst the chaos of existence, the elusive Lingshan symbolizes the quest for understanding, making this novel a profound exploration of the human soul and the power of storytelling.
Official synopsis Publisher
In 1983 Chinese playwright, critic, fiction writer, and painter Gao Xingjian (pronounced gow shing-jen) was diagnosed with lung cancer and faced imminent death. But six weeks later, a second examination revealed there was no cancer — he had won “a reprieve from death” and had been thrown back into the world of the living. Faced with a repressive cultural environment and the threat of a spell in a prison farm, Gao fled Beijing. He traveled to the remote mountains and ancient forests of Sichuan in southwest China and from there back to the east coast, a journey of fifteen thousand kilometers over a period of five months. The results of this epic voyage of discovery is Soul Mountain.
A bold, lyrical, prodigious novel, Soul Mountain probes the human soul with an uncommon directness and candor. Interwoven with the myriad of stories and countless memorable characters — from venerable Daosit masters and Buddhist nuns to mythical Wild Men, deadly Qichun snakes, and farting buses — is the narrator’s poignant inner journey and search for freedom.
Fleeing the social conformity required by the Communist government, he wanders deep into the regions of the Qiang, Miago, and Yi peoples located on the fringes of Han Chinese civilization and discovers a plethora of different traditions, history, legends, folk songs, and landscapes. Slowly, with the help of memory, imagination, and sensory experience, he reconstructs his personal past. He laments the impact of the Cultural Revolution on the ecology — both human and physical — of China. And in a polyphony of narrating selves — the narrator’s “I” spawns a “you,” a “she,” and a “he,” each with a distinct perspective and voice — the novel delights in the freedom of the imagination to expand the notion of the individual self.
Storytelling saves the narrator from a deep loneliness that is part of the human condition. His search for meaning — in life, in the journey — turns up the possibility that there may be no meaning. The elusive Lingshan (“Soul Mountain”), which becomes the object of his quest, never yields up its secrets, but the journey is a rich, strange, provocative, and rewarding one. Soul Mountain is a novel of immense wisdom and profound beauty.
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