One Man’s Bible

One Man’s Bible by Gao Xingjian is a significant work from the Nobel Prize-winning author, published by HarperCollins on September 3, 2002. This first edition spans 464 pages and is presented in English. The novel unfolds in a Hong Kong hotel room in 1996, where the protagonist’s memories of childhood and early adulthood under Mao Zedong and the Cultural Revolution are stirred by his lover, Marguerite. The narrative offers a fictionalized account of life in China during this tumultuous period, reflecting the complexities of living under a Communist regime.
Readers will find a detailed exploration of the pervasive atmosphere of paranoia and fear that characterized daily life, as well as the impact of political and intellectual repression on personal relationships. Gao Xingjian vividly depicts the struggles faced by individuals caught in a web of betrayal and oppression, while also meditating on themes of exile and the essence of writing. This work delves into the resilience of the human spirit amidst adversity, making it a poignant reflection on the effects of political turmoil.
Official synopsis Publisher
One Man’s Bible is the second novel by Nobel Prize-winning author Gao Xingjian to appear in English. Following on the heels of his highly praised Soul Mountain, this later work is as candid as the first, and written with the same grace and beauty.
In a Hong Kong hotel room in 1996, Gao Xingjian’s lover, Marguerite, stirs up his memories of childhood and early adult life under the shadow of Mao Zedong and the Cultural Revolution. Gao has been living in self-imposed exile in France and has traveled to this Western-influenced Chinese city-state, so close to his homeland, for the staging of one of his plays.
What follows is a fictionalized account of Gao Xingjian’s life under the Communist regime. Whether in “beehive” offices in Beijing or in isolated rural towns, daily life is riddled with paranoia and fear, as revolutionaries, counterrevolutionaries, reactionaries, counterreactionaries, and government propaganda turn citizens against one another. It is a place where a single sentence spoken ten years earlier can make one an enemy of the state. Gao evokes the spiritual torture of political and intellectual repression in graphic detail, including the heartbreaking betrayals he suffers in his relationships with women and men alike.
One Man’s Bible is a profound meditation on the essence of writing, on exile, on the effects of political oppression on the human spirit, and on how the human spirit can triumph.
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