My Holocaust A Novel

My Holocaust by Tova Reich, published by Harper Collins on April 3, 2007, is a novel that delves into the complex dynamics of Holocaust remembrance and commercialization. The story follows Maurice and Norman Messer, a father-son duo who exploit their connections to the Holocaust for personal gain. Maurice, a survivor with an embellished history, and Norman, who revels in his role as a second-generation participant, navigate a landscape filled with various groups and individuals eager to stake their claim on Holocaust narratives.
Readers will encounter a surreal exploration of identity and memory as the Messers embark on a tour of the Auschwitz-Birkenau death camp. Their journey is complicated by the disappearance of Nechama, Norman’s daughter, who has become Sister Consolatia of the Cross. The novel presents a vivid cast of characters, including Holocaust professionals and those seeking recognition as victims, all vying for a piece of the Holocaust narrative. Through its darkly comic lens, My Holocaust examines the intersections of history, politics, and personal experience, offering a provocative commentary on the nature of suffering and memory. This edition spans 326 pages and is presented in English.
Official synopsis Publisher
Maurice and Norman Messer, father-and-son business partners, know a good product when they see it. That product is the Holocaust, and Maurice, a Holocaust survivor with an inflated personal history, and Norman, enjoying vicarious victimhood as a participant in the second-generation movement, proceed to market it enthusiastically. Not even the disappearance of Nechama, Norman’s daughter and Maurice’s granddaughter, into the Carmelite convent at Auschwitz, where she is transformed into a nun, Sister Consolatia of the Cross, deters them from pushing their agenda.
Father and son embark on a tour of the Auschwitz-Birkenau death camp, which Maurice—now the driving force behind the most powerful Holocaust memorialization institution in America—organizes to soften up a potential major donor, and which Norman takes advantage of to embark on a surrealistic search for his daughter. At the death camp they run into assorted groups and individuals all clamoring for a piece of the Holocaust, including Buddhist New Agers on a retreat, Israeli schoolchildren on a required heritage pilgrimage, a Holocaust artifact hustler, filmmakers, and an astonishing collection of others. All hell breaks loose when Maurice’s museum is taken over by a coalition of self-styled victims seeking Holocaust status, bringing together a vivid cast of all-too-human characters, from Holocaust professionals to Holocaust wannabees of every persuasion, in the fevered competition to win the grand prize of owning the Holocaust.
An inspiringly courageous and shockingly original tour-de-force, My Holocaust dares to penetrate territory until now considered sacrosanct in its brilliantly provocative and darkly comic exploration of the uses and abuses of memory and the meaning of human suffering.
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