Stalingrad

Stalingrad by Vasily Grossman, published by New York Review of Books on June 11, 2019, is now available in English for the first time. This edition spans 1,088 pages and presents a narrative set in April 1942, as Hitler and Mussolini plot a renewed assault on the Soviet Union. The story unfolds amidst the backdrop of World War II, focusing on the beleaguered city of Stalingrad, where Soviet forces prepare for a decisive stand against advancing German troops.
Readers will encounter a diverse cast of characters, including mothers, daughters, soldiers, and political activists, all navigating the chaos of war. Central to the narrative is the Shaposhnikov family, particularly matriarch Alexandra Vladimirovna, who remains steadfast in Stalingrad despite the encroaching danger. The novel intricately weaves personal stories with historical events, exploring themes of resilience and the human spirit amidst the devastation of conflict. Grossman’s work delves into the complexities of life during wartime, offering a profound reflection on the impact of totalitarianism while celebrating the enduring connections to nature and humanity.
Official synopsis Publisher
Now in English for the first time, the prequel to Vasily Grossman’s Life and Fate, the War and Peace of the twentieth Century.
In April 1942, Hitler and Mussolini meet in Salzburg where they agree on a renewed assault on the Soviet Union. Launched in the summer, the campaign soon picks up speed, as the routed Red Army is driven back to the industrial center of Stalingrad on the banks of the Volga. In the rubble of the bombed-out city, Soviet forces dig in for a last stand.
The story told in Vasily Grossman’s Stalingrad unfolds across the length and breadth of Russia and Europe, and its characters include mothers and daughters, husbands and brothers, generals, nurses, political activists, steelworkers, and peasants, along with Hitler and other historical figures. At the heart of the novel is the Shaposhnikov family. Even as the Germans advance, the matriarch, Alexandra Vladimirovna, refuses to leave Stalingrad. Far from the front, her eldest daughter, Ludmila, is unhappily married to the Jewish physicist Viktor Shtrum. Viktor’s research may be of crucial military importance, but he is distracted by thoughts of his mother in the Ukraine, lost behind German lines.
In Stalingrad, published here for the first time in English translation, and in its celebrated sequel, Life and Fate, Grossman writes with extraordinary power and deep compassion about the disasters of war and the ruthlessness of totalitarianism, without, however, losing sight of the little things that are the daily currency of human existence or of humanity’s inextinguishable, saving attachment to nature and life. Grossman’s two-volume masterpiece can now be seen as one of the supreme accomplishments of twentieth-century literature, tender and fearless, intimate and epic.
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