Media & Entertainment Law

Media & Entertainment Law by Ursula Smartt is a comprehensive textbook published by Routledge in 2022, now in its fifth edition and spanning 596 pages. This edition offers an in-depth analysis of the legal landscape surrounding media and entertainment, focusing on the balance between press freedoms and individual privacy rights. It covers significant developments in UK and EU law, including updates on intellectual property, data protection, and copyright law following Brexit.
Readers will find expert insights into recent case law, including notable judgments related to privacy and media freedom, as well as the introduction of new Scottish defamation laws. The book also addresses contemporary issues such as disinformation and the impact of social media on legal proceedings. Designed for both undergraduate and postgraduate courses, this edition features various pedagogical tools aimed at fostering critical thinking among students and professionals in journalism, public relations, and media studies.
Official synopsis Publisher
Now in its fifth edition, this textbook combines comprehensive coverage with rigorous analysis of a key area of the law. The author illuminates how the courts strive to strike a balance between the freedoms and responsibilities of the press on the one hand and an individual’s right to privacy on the other.
Maintaining its coverage of the law across the UK (including Scotland and Northern Ireland) and the EU, the new edition has been brought up to date with expert insights into significant developments and judgments, including:
- the impact of changes in intellectual property law, data protection, GDPR and copyright law post Brexit – including the cases of Schrems II and Ed Sheeran;
- analysis of new case law and developments in privacy and freedom of the media – including Duchess of Sussex (Meghan Markle) v The Mail on Sunday and ZXC v Bloomberg;
- the introduction of new Scottish defamation laws and the importance of defamatory meaning;
- the response to disinformation, fake news and social media – including tweeting jurors and contempt.
With a variety of pedagogical features to encourage critical thinking, this unique textbook is essential reading for media and entertainment law courses at undergraduate and postgraduate levels and an insightful resource for students and reflective practitioners of journalism, public relations and media studies.
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