James Seymour
James Seymour by Richard Wills, published by Pallas Athene on December 29, 2023, is a comprehensive exploration of the life and work of one of the founders of English sporting art. This edition features 512 pages in English and includes a detailed account of Seymour’s contributions, particularly his depictions of horses and riders at Newmarket during the early 18th century. The book showcases 130 paintings and 430 drawings, many of which are newly discovered and previously unpublished, providing valuable insights into the history of racing and equine representation.
Readers will find a thorough examination of Seymour’s artistic legacy, supported by an introductory essay that delves into his life and expertise in equine anatomy and behavior. The book also includes contributions from David Oldrey and Tim Cox, who provide additional context on the history of racing and its relationship with Seymour’s artwork. With over 500 illustrations, this edition serves as both a monograph and a catalog, making it a significant resource for those interested in art, individual artists, and the evolution of sporting art.
Official synopsis Publisher
James Seymour (c. 1700-1752) is one of the founders of English sporting art. A lover of the Turf, Seymour specialized in depictions of horses and their riders, particularly at Newmarket between 1722 and 1752. His wonderful paintings and drawings are some of the most important records we have of the early greats, such as Flying Childers, and of the way racing was organized at this early stage.
Richard Wills has studied Seymour for over ten years, and this book is the first ever comprehensive account and catalogue. 130 paintings and 430 drawings, including new discoveries, are included in the book, with over 500 illustrations, many never reproduced before. The introductory essay examines the life of Seymour, whose devotion to the Turf enabled him to gain an unrivalled knowledge of equine anatomy and behavior. Considerable information about the history of racing, and its enrichment through analysis of Seymour’s paintings, is contributed by David Oldrey and Tim Cox.
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