Van Gogh Self-portraits

“Van Gogh Self-portraits” by Martin Bailey is a significant publication that accompanies the first-ever exhibition dedicated to Vincent van Gogh’s self-portraits throughout his career. Published by The Courtauld in 2022, this edition features 152 pages in English and presents a comprehensive exploration of both famous and lesser-known works by the artist. The book delves into the relationship between Van Gogh’s extraordinary life and his self-representations, providing context for understanding the emotional depth and stylistic experimentation inherent in these personal paintings.
Readers will find an in-depth examination of Van Gogh’s self-portraits, particularly those created during his time in Paris and Provençal periods. The publication highlights the evolution of his self-representation, showcasing half of his thirty-five known self-portraits and discussing how this practice served as a means for artistic exploration and identity formation. By placing these works within the broader narrative of Van Gogh’s artistic journey, the book offers insights into the profound themes of self-identity and homage to predecessors like Rembrandt. This edition serves as a valuable resource for those interested in art, individual artists, and the intricate relationship between biography and artistic expression.
Official synopsis Publisher
“This important publication accompanies the first ever exhibition devoted to Vincent van Gogh’s self-portraits across his entire career. The exhibition at the Courtauld Gallery and accompanying catalogue feature world-famous and lesser known works from the great artist.00The myth of Van Gogh today is linked as much to his extraordinary life as it is to his stunning paintings. His biography has often shaped the way that his self-portraits have been (mis)understood. Van Gogh. Self-Portraits reconsiders this aspect of his production and places the artist’s self-representation in context to reveal the role it plays in his oeuvre. It also explores the power and profound emotion of these highly personal paintings. ‘Van Gogh. Self-Portraits’ is the first time this theme has been exclusively addressed. Self-portraits painted during Van Gogh’s time in Paris (February 1886 – February 1888) have been the subject of two exhibitions (in 1960 at Marlborough Fine Arts in London and in 1995 at the Kunsthalle in Hamburg) but never has the full chronological range been explored. The exhibition at The Courtauld Gallery features paintings from both the Parisian and Provençal periods. It brings together half of Van Gogh’s thirty-five known self-portraits to examine the ways the artist approached this particular subject-matter. On a practical level, painting himself provided Van Gogh with the cheapest and most patient of models and represented an important conduit for stylistic experimentation. He also used self-portraiture as an homage to his illustrious Dutch predecessor Rembrandt, as well as a way of fashioning his own identity and presenting himself to the outside world. Of particular interest is the striking way the evolution of Van Gogh’s self-representation over the short years of his artistic activity can be seen as a microcosm of his development as a painter. Exhibition: The Courtauld Gallery, London, UK (03.02. – 08.05.2022).” —
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