Writing the Horror Movie

Writing the Horror Movie by Marc Blake, published by Bloomsbury Academic on July 18, 2013, is an annotated edition that spans 272 pages. This book provides a comprehensive analysis of the horror genre, exploring its evolution from early German Expressionism to contemporary trends. The authors, Marc Blake and Sara Bailey, delve into various subgenres and tropes, offering insights into the specific requirements of crafting a horror screenplay.
Readers will find a detailed examination of the genre’s history, including notable franchises and developments such as the Slasher film and Asian Horror. The book features step-by-step writing exercises, annotated screenplay extracts, and interviews with industry professionals, addressing practical aspects like budget constraints and screenplay structure. This resource is designed for those interested in the mechanics of horror screenwriting and the genre’s enduring appeal.
Official synopsis Publisher
Tales of horror have always been with us, from Biblical times to the Gothic novel to successful modern day authors and screenwriters. Though the genre is often maligned, it is huge in popularity and its resilience is undeniable. Marc Blake and Sara Bailey offer a detailed analysis of the horror genre, including its subgenres, tropes and the specific requirements of the horror screenplay.
Tracing the development of the horror film from its beginnings in German Expressionism, the authors engage in a readable style that will appeal to anyone with a genuine interest in the form and the mechanics of the genre. This book examines the success of Universal Studio’s franchises of the ‘30s to the Serial Killer, the Slasher film, Asian Horror, the Supernatural, Horror Vérité and current developments in the field, including 3D and remakes. It also includes step-by-step writing exercises, annotated extracts from horror screenplays and interviews with seasoned writers/directors/ producers discussing budget restrictions, screenplay form and formulas and how screenplays work during shooting.
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