Venus A Play
Venus A Play by Suzan-Lori Parks, published by Theatre Communications Group in 1997, presents a bold exploration of colonization and objectification through the true story of Sarah ‘Saartjie’ Baartman, an indigenous South African woman. Known as the ‘Hottentot Venus’, Baartman was exhibited as a freak-show attraction in 19th-century Europe, highlighting the exploitation she faced due to her physical appearance. This edition spans 165 pages and is written in English.
Readers will find a dramatic narrative that delves into themes of identity and exploitation, as it portrays Baartman’s life and the societal perceptions surrounding her. The play navigates the complexities of her experience, balancing elements of pathos and absurdity. As it unfolds, Venus invites reflection on the intersections of race, gender, and power within the context of American drama and ethnic studies.
Official synopsis Publisher
A bold exploration of colonisation and objectification, based on the true story of the ‘Hottentot Venus’.
Sarah ‘Saartjie’ Baartman was an indigenous South African woman who – due principally to the large size of her buttocks – was exhibited as a freak-show attraction throughout 19th-century Europe. She became known as the ‘Hottentot Venus’, and was exploited by the doctor who loved her.
Suzan-Lori Parks’ play Venus was first performed at the Public Theater, New York, in April 1996. It won the 1995-1996 OBIE Award for Playwriting.
‘To make this woman the heroine of a serious tragedy is daring, dangerous – here is a play which treads the line between pathos and absurdity, which is very hard to do, a line walked by all the great dramatists, Shakespeare and Chekhov especially’ Tony Kushner
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