Thomas Jefferson’s Monticello

Thomas Jefferson’s Monticello by William L. Beiswanger, published by the Thomas Jefferson Foundation in 2002, is a First Edition that spans 218 pages. This book presents a collection of essays and color photography that explore Monticello, Jefferson’s mountaintop home in Charlottesville, Virginia. The text highlights the historical significance of Monticello, which has drawn public interest since Jefferson’s time and is now recognized as a World Heritage Site.
Readers will find detailed chapters written by scholars at Monticello, focusing on various aspects of the house and plantation. The essays delve into Jefferson’s architectural vision, showcasing the elegance and symmetry of the home he designed. The book also features insights into the diverse collection of objects and furnishings within Monticello, including art, scientific instruments, and items crafted by enslaved artisans. Additionally, it discusses the celebrated gardens and grounds, which reflect a blend of Old and New World horticultural practices, and provides context regarding the plantation and the enslaved community that lived there.
Official synopsis Publisher
Monticello, Thomas Jefferson’s mountaintop home in Charlottesville, Virginia, has attracted public attention ever since Jefferson’s own day, when sightseers regularly visited the grounds in the hope of catching a glimpse of the former president. In our own day, Monticello has been added to the United Nation’ list of World Heritage Sites that must be protected at all costs, designating the house and grounds as an international treasure.
Thomas Jefferson’s Monticello is a collection of essays and color photography showcasing this extraordinary American home. Featuring essays written by scholars at Monticello, chapters focus on all aspects of the house and plantation. Monticello, a model of elegance and symmetry, was designed by Jefferson himself, whose architectural prowess prompted a visitor in 1782 to note: “Mr. Jefferson is the first American who has consulted the Fine Arts to know how he should shelter himself from the weather.” Inside, Jefferson assembled a world-class collection of objects and furnishings: art and porcelain from France, scientific instruments from England, the finest American furniture from Philadelphia and New York, natural artifacts brought back from the West, as well as furnishings made in Monticello’s own joinery by enslaved craftsmen. Surrounding the house, Monticello’s celebrated gardens and grounds form an experimental yet breathtakingly lovely landscape of flowers, fruits, and vegetables from the Old and New Worlds. A final chapter on the plantation and the enslaved community at Monticello provides a context in which to place and understand the house and its owner.
With an introductory essay by Wendell Garrett, this compilation is a comprehensive, long-awaited study of Thomas Jefferson’s “little mountain.”
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