The Theatre of E. E. Cummings

The Theatre of E. E. Cummings by E. E. Cummings is a comprehensive collection of the author’s theatrical works, published by W. W. Norton & Company on January 7, 2013. This first edition spans 212 pages and is presented in English. The book includes Cummings’s long out-of-print plays, such as HIM (1927), Anthropos (1930), and Santa Claus (1946), along with the ballet treatment Tom (1935), showcasing his inventive approach to drama.
Readers will find a diverse array of themes within these works, including the struggles of creativity and identity, as seen in HIM, and the philosophical explorations in Anthropos. Santa Claus offers a unique twist on identity through the exchange between Death and Saint Nick, while Tom reinterprets Harriet Beecher Stowe’s Uncle Tom’s Cabin as a dance, critiquing societal evils. Cummings’s theatrical writing reflects his distinctive voice and artistic vision, emphasizing the role of the artist in relation to society.
Official synopsis Publisher
The complete collection of E. E. Cummings’s writing for the stage, from the most inventive poet of the twentieth century.
The Theatre of E. E. Cummings collects in their entirety Cummings’s long out-of-print theatrical works: the plays HIM (1927), Anthropos (1930), and Santa Claus (1946), and the ballet treatment Tom (1935). In HIM, a creatively blocked artist and his lover, Me, struggle to bridge the impasse in their relationship and in his art. In Anthropos, a Platonic parable, three “infrahumans” brainstorm slogans while a man sketches on a cave wall; and in Santa Claus, Death and Saint Nick exchange identities. Harriet Beecher Stowe’s Uncle Tom’s Cabin is reimagined as dance, transforming the novel into a symbolic attack against Evil itself. Cummings’s prodigious creativity is on display in each of these works, which are ultimately about the place of the artist outside of society. “DON’T TRY TO UNDERSTAND IT, LET IT TRY TO UNDERSTAND YOU,” Cummings famously wrote about his intentions for the stage. Thoughtful and witty, Cummings’s dramas are an integral part of his canon.
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