The Rat-killer

The Rat-killer by Aleksandr Terekhov is a revised edition published by Alma in 2008, featuring 347 pages in English. This work explores the complex interplay between humans and rats in a post-communist setting, where political intrigue unfolds against a backdrop of greed and malice. The narrative centers on Svetloyar, a town striving for recognition as part of Russia’s “Golden Ring,” despite its lack of historical significance and an overwhelming rat population.
Readers will find a thought-provoking examination of humanity and history, as the protagonist’s obsession with the regional dictator’s wife intertwines with his efforts to control the rat infestation. The story reflects a blend of classical Russian literary tradition and the experimental, satirical styles of Soviet authors like Bulgakov. As the narrator’s grasp on reality deteriorates, the depiction of the grotesque landscape becomes increasingly vivid, inviting readers to contemplate the absurdities of both human and animal behavior within this unique setting.
Official synopsis Publisher
Rats and human beings aren t alwaysthat far apart from each other. As the political intrigue of phantasmagorical postcommunist reality develops into nightmare, the greed, cunning, and malice of the humans more and more resemble the behavior of the large communities of destructive rodents, while the rats acquire more and more human features. Svetloyar is bidding to be included in the list of historical towns making up Russia s famous “Golden Ring” a lucrative tourist route around Moscow.Aside from the problem that it has no history, having been entirely constructed during the Stalinist period, the place is overrun by ratsand two pest-controllers are summoned from Moscow. What follows is an astute interrogation of the nature of both humanity and history, as the narrator s desire for the regional dictator s wife sits subtly alongside his perpetual concern for the destruction of rats. While clearly in the classical Russian tradition, the novel also incorporates the more experimental and satirical aesthetic of Soviet writers such as Bulgakov, and as the narrator s perception of reality becomes increasingly warped, so does our experience of the almost comically grotesque landscape around him.”
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