The Progressive Underground Volume One
The Progressive Underground Volume One by Kev Rowland, published by Gonzo Multimedia on November 25, 2018, is an illustrated edition comprising 304 pages in English. This book explores the evolution of progressive rock during a time when it was often overlooked by mainstream media, highlighting the underground scene that thrived despite the challenges. It focuses on the role of fanzines and independent magazines in promoting new bands and music, particularly during the years when Kev Rowland was at the helm of Feedback, a significant publication in this niche.
Readers will find a collection of reviews written by Rowland that captures the essence of the progressive rock scene from bands A-H. This volume serves as a historical reference, shedding light on a period when few were documenting the genre constructively. It emphasizes the importance of underground music and provides insights into the vibrant community that supported it. Through this work, fans of music and reference materials will gain a deeper understanding of how progressive rock continued to flourish away from the mainstream spotlight.
Official synopsis Publisher
Contrary to popular belief, progressive rock didn’t disappear with the advent of punk, and the lack of media support didn’t prevent new bands from forming and new music being created, it just drove it underground. It is hard to imagine these days, with everyone being permanently connected, but there was a time not long ago when communication was by word of mouth and letter. With no coverage by much of the media, it was down to fanzines and independent magazines to spread the word of what was actually happening in the scene, what was being released, and who was worth going to see in concert.
Most of these magazines survived for just a few issues, while others continued for many years, all having their part to play in spreading the word. One of the most important during this period was Feedback, which initially started as the newsletter of Mensa’s Rock Music Special Interest Group in 1988, but when Kev Rowland became secretary in 1990 he determined to turn it into a magazine promoting music which often wasn’t being written about in the mainstream press. Feedback soon became one of the key promoters of the underground progressive scene, and Kev one of the most well-known reviewers. He also became a contributor to Rock ‘n’ Reel, as well as later writing for the Ghostland website in the early days of prog on the web
The world had moved on by the time he emigrated to New Zealand in 2006, at which time he stopped running Feedback (which has just celebrated it’s thirtieth anniversary, now renamed Amplified). It was now possible to discover information about bands and releases through the internet and the many progressive rock sites which had been set up, and even the mass media had decided that maybe there was something in this prog thing after all.
But the period when Kev was running Feedback was very special in many ways, a time that has now long gone. This volume captures reviews undertaken by Kev when he was running Feedback, here from bands A-H, written within the context of the period by someone who was very close to the scene. Along with the other two volumes in this series, this shines a spotlight onto a period when there were very few writing about the music in a constructive manner. Finally, it is again possible to discover some great music from wonderful bands, and this should be used as a guide to expand collections and understand that prog rock really didn’t die, it just went underground.
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