The Oracles Fell Silent
The Oracles Fell Silent by Lee Oser, published by Wiseblood Books on October 3, 2013, is a work of fiction that explores the transformative journey of young Richard Bellman as he becomes the secretary to the legendary Sir Ted Pop. Through his work on Sir Ted’s memoir, Bellman navigates the complexities of fame and personal destiny, set against the backdrop of a New York beach house in Southampton. The narrative delves into the enigmatic final moments of Ted’s partnership with Johnny Donovan, who met a tragic end in 1969, raising questions about fate and the nature of storytelling.
Readers will find a rich tapestry of themes as Bellman confronts the challenges posed by false prophets and the struggle for narrative control. The story invites contemplation on the intersection of divine intervention and personal agency, revealing the profound mysteries that shape human experience. With 262 pages, this edition offers a deep dive into the intricacies of faith, doubt, and the human condition, all while maintaining a focus on the characters’ journeys through their intertwined fates.
Official synopsis Publisher
***OFFICIAL PUBLICATION DATE: FEBRUARY 21, 2014***
The Oracles Fell Silent by Lee Oser: When the legendary Sir Ted Pop hires young Richard Bellman as his secretary, Bellman’s work on the great man’s memoir transforms his young life into a divine comedy-or is it a devilish farce? In a New York beach house in Southampton, Bellman treads the forbidden ground of Ted’s final hour with Johnny Donovan, his partner in fame, who “fell” from a London rooftop in 1969. Sir Ted battles false prophets and mad messiahs for control over his own story, but what rock’s biggest mystery reveals to Bellman is the unthinkable hand of God.
“You think Johnny understood his fate when he fell? You think you understand your fate, or I understand mine? Your story will be written, all right, but not by you. It will be written by someone you could never buy, and you wouldn’t like the narrative. Not that it matters, but you would scarcely recognize yourself, not since you lost your soul on its great crusade to nowhere.”
Wiseblood Books fosters works of fiction, poetry, and philosophy that render truths with what Flannery O’Connor called an unyielding “realism of distances.” Such works find redemption in uncanny places and people; wrestle us from the tyranny of boredom; mock the pretensions of respectability; engage the hidden mysteries of the human heart, be they sources of either violence or courage; articulate faith and doubt in their incarnate complexity; dare an unflinching gaze at human beings as “political animals”; and suffer through this world’s trials without forfeiting hope.
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