The New York Trilogy

The New York Trilogy by Paul Auster is a reprint edition published by Penguin on April 1, 1990, featuring 384 pages in English. This collection comprises three interconnected detective stories: City of Glass, Ghosts, and The Locked Room. Each narrative explores the complexities of identity and the nature of storytelling through the lens of mystery and detective fiction.
Readers will encounter a range of themes, including the intricacies of surveillance and the search for meaning in a fragmented world. In City of Glass, a writer becomes embroiled in a perplexing case, while Ghosts follows a watcher observing his subject from a distance. The Locked Room delves into the disappearance of a writer, prompting an obsessive investigation by a childhood friend. This trilogy presents a unique blend of fiction and philosophical inquiry, making it a thought-provoking exploration of the detective genre.
Official synopsis Publisher
The remarkable, acclaimed series of interconnected detective novels City of Glass, Ghosts, and The Locked Room, from New York Times bestselling author Paul Auster
“Exhilarating . . . a brilliant investigation of the storyteller’s art guided by a writer-detective who’s never satisfied with just the facts.”—The Philadelphia Inquirer
City of Glass: As a result of a strange phone call in the middle of the night, Quinn, a writer of detective stories, becomes enmeshed in a case more puzzling than any he might have written.
Ghosts: Blue, a student of Brown, has been hired by White to spy on Black. From a window of a rented room on Orange Street, Blue keeps watch on his subject, who is across the street, staring out of his own window.
The Locked Room: Fanshawe has disappeared, leaving behind his wife and baby and a cache of extraordinary novels, plays, and poems. What happened to him and why is the narrator, Fanshawe’s boyhood friend, lured obsessively into his life?
Moving at the breathless pace of a thriller, this is a uniquely stylized trilogy of detective novels that The Washington Post Book World has classified as “post-existential private eye. . . . It’s as if Kafka has gotten hooked on the gumshoe game and penned his own ever-spiraling version.”
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