The Man Who Saw Everything

The Man Who Saw Everything by Deborah Levy, published by Bloomsbury USA on October 15, 2019, is a literary work that delves into themes of beauty, envy, and carelessness. This edition spans 208 pages and is written in English. The narrative follows Saul Adler, a young historian in 1988 who travels to Communist East Berlin for research, where a seemingly innocuous event alters the course of his life.
Readers will encounter a complex exploration of identity and perception as Saul grapples with his relationships and the historical context surrounding him. The novel addresses the challenges of seeing oneself and others clearly, while also reflecting on the cyclical nature of history and the influence of power. With elements of psychological and political fiction, The Man Who Saw Everything artfully navigates the intersections of personal and collective experiences, offering insights into the human imagination and the blurred lines between various binaries.
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Longlisted for the Booker Prize
A New York Times Editor’s Choice
Named a Best Book of the Year By:
The New York Times Book Review (Notable Books of the Year) * The New York Public Library * The Washington Post * Time.com * The New York Times Critics’ (Parul Seghal’s Top Books of the Year) * St. Louis Post Dispatch * Apple * A Publisher’s Weekly’s Top Ten Books of the Year
An electrifying novel about beauty, envy, and carelessness from Deborah Levy, author of the Booker Prize finalists Hot Milk and Swimming Home.
It is 1988 and Saul Adler, a narcissistic young historian, has been invited to Communist East Berlin to do research; in exchange, he must publish a favorable essay about the German Democratic Republic. As a gift for his translator’s sister, a Beatles fanatic who will be his host, Saul’s girlfriend will shoot a photograph of him standing in the crosswalk on Abbey Road, an homage to the famous album cover. As he waits for her to arrive, he is grazed by an oncoming car, which changes the trajectory of his life.
The Man Who Saw Everything is about the difficulty of seeing ourselves and others clearly. It greets the specters that come back to haunt old and new love, previous and current incarnations of Europe, conscious and unconscious transgressions, and real and imagined betrayals, while investigating the cyclic nature of history and its reinvention by people in power. Here, Levy traverses the vast reaches of the human imagination while artfully blurring sexual and political binaries—feminine and masculine, East and West, past and present–to reveal the full spectrum of our world.
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