The Last September

The Last September by Elizabeth Bowen, published by Penguin Books in 1990, is a literary work that explores the complexities of a young woman’s coming of age during a tumultuous period in Irish history. Set in 1920 at a country home in County Cork, the narrative unfolds against the backdrop of the waning British rule in Ireland, capturing the tension between the characters’ everyday lives and the looming historical changes that threaten their way of life. This edition comprises 206 pages and is presented in English.
Readers will find a nuanced portrayal of Lois Farquar, the niece of Sir Richard and Lady Myra Naylor, as she navigates her quest for personal freedom amid the societal expectations of her class. The Last September delves into themes of love, tradition, and the desire for independence, reflecting the broader historical context of the time. Bowen’s work intricately weaves social comedy with private tragedy, offering insights into the characters’ struggles against the backdrop of impending change.
Official synopsis Publisher
The Last September is Elizabeth Bowen’s portrait of a young woman’s coming of age in a brutalized time and place, where the ordinariness of life floats like music over the impending doom of history. In 1920, at their country home in County Cork, Sir Richard Naylor and his wife, Lady Myra, and their friends maintain a skeptical attitude toward the events going on around them, but behind the facade of tennis parties and army camp dances, all know that the end is approaching–the end of British rule in the south of Ireland and the demise of a way of life that had survived for centuries. Their niece, Lois Farquar, attempts to live her own life and gain her own freedoms from the very class that her elders are vainly defending. The Last September depicts the tensions between love and the longing for freedom, between tradition and the terrifying prospect of independence, both political and spiritual. “Brilliant…. A successful combination of social comedy and private tragedy.”–The Times Literary Supplement (London)
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