The Good Body

The Good Body by Eve Ensler, published by Villard on November 9, 2004, is a thought-provoking exploration of societal standards surrounding body image. In this first edition, Ensler delves into her own struggles with self-acceptance, particularly focusing on her relationship with her body after forty. Through a series of personal anecdotes and narratives from women across the globe, she challenges conventional notions of what it means to have a “good body,” addressing issues such as body shaming, diet culture, and the pursuit of perfection.
Readers will find a rich tapestry of voices and experiences that highlight the complexities of body image. From a young Latina confronting her insecurities to an aging magazine executive grappling with the fear of losing youth, Ensler presents a diverse range of perspectives. The book also features stories of women who embrace their bodies, celebrating individuality and diversity. Through these narratives, Ensler invites readers to reflect on their own perceptions and encourages a journey toward self-love and acceptance. With 112 pages, this edition offers a concise yet impactful examination of women’s studies and body positivity.
Official synopsis Publisher
Botox, bulimia, breast implants: Eve Ensler, author of the international sensation The Vagina Monologues, is back, this time to rock our view of what it means to have a “good body.” “In the 1950s,” Eve writes, girls were “pretty, perky. They had a blond Clairol wave in their hair. They wore girdles and waist-pinchers. . . . In recent years good girls join the army. They climb the corporate ladder. They go to the gym. . . . They wear painful pointy shoes. They don’t eat too much. They . . . don’t eat at all. They stay perfect. They stay thin. I could never be good.”
The Good Body starts with Eve’s tortured relationship with her own “post-forties” stomach and her skirmishes with everything from Ab Rollers to fad diets and fascistic trainers in an attempt get the “flabby badness” out. As Eve hungrily seeks self-acceptance, she is joined by the voices of women from L.A. to Kabul, whose obsessions are also laid bare: A young Latina candidly critiques her humiliating “spread,” a stubborn layer of fat that she calls “a second pair of thighs.” The wife of a plastic surgeon recounts being systematically reconstructed–inch by inch–by her “perfectionist” husband. An aging magazine executive, still haunted by her mother’s long-ago criticism, describes her desperate pursuit of youth as she relentlessly does sit-ups.
Along the way, Eve also introduces us to women who have found a hard-won peace with their bodies: an African mother who celebrates each individual body as signs of nature’s diversity; an Indian woman who transcends “treadmill mania” and delights in her plump cheeks and curves; and a veiled Afghani woman who is willing to risk imprisonment for a taste of ice cream. These are just a few of the inspiring stories woven through Eve’s global journey from obsession to enlightenment. Ultimately, these monologues become a personal wake-up call from Eve to love the “good bodies” we inhabit.
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