The Eternal Philistine

The Eternal Philistine by Odon Von Horvath, published by Melville House on March 27, 2012, is a newly translated work that offers a humorous yet critical perspective on the human condition during a tumultuous period in Europe. This 192-page book follows the story of a failed used car salesman who embarks on a journey from Munich to Barcelona, hoping to secure a life of luxury by charming a wealthy woman at the World’s Fair. Through its dark humor and satirical lens, the narrative explores the vulnerabilities of individuals caught in the throes of political upheaval and societal change.
Readers will encounter a richly stylized tale that blends elements of fiction, political commentary, and black humor. The narrative captures the absurdity of human desires and the susceptibility of individuals to state propaganda as Europe edges closer to Fascism. Ödön von Horváth’s keen observations provide a thought-provoking examination of human nature and politics at a critical juncture in history, making this edition a significant addition to the literary landscape.
Official synopsis Publisher
This never-before translated work by a major yet overlooked mid-20th century writer is a brutally funny look at the human comedy on the eve of Europe’s decent into Fascism.
It tells the tale of a failed used car salesman who wants to live the high life, and so decides to travel by train from Munich to Barecelona to attend the World’s Fair — in hopes of meeting a beautiful, rich woman who will provide for his every whim.
It’s a highly-stylized and, at times, raucously funny tale of the almost-absurd: a dark and satiric look at Europeans, and especially Germans, on the brink of cataclysm. Adrift in their acquisitive desires, they are vulnerable to the propaganda of the State — making this novel brilliantly foresightful in its understanding of politics and human nature at a crucial point in modern history.
Ödön von Horváth’s scathing insight, in fact, led to his having to flee the very society he depicted when, living in Berlin, he drew the wrath of the Nazis. And yet this hilarious tour-de-force — written just after his escape, and just before his death in a tragic accident — eschews bitterness for rambunctious perseverance and compassion, and provides ample evidence of why von Horváth deserves renewed appreciation.
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