The Destruction of Memory Architecture at War – Second Expanded Edition

The Destruction of Memory Architecture at War – Second Expanded Edition by Robert Bevan, published by Reaktion Books on May 15, 2016, is a comprehensive examination of the impact of war on architectural heritage. This edition, consisting of 303 pages, explores how the destruction of significant structures, such as mosques in Iraq and the World Trade Center, reflects deeper cultural and national ramifications. Bevan argues that such acts are not merely physical demolitions but deliberate attempts to erase a culture’s memory and identity.
In this work, Bevan delves into historical instances where architecture has been targeted during conflicts, from the destruction of Aztec cities to the bombings of Dresden and Tokyo in World War II, and the conflicts in the former Yugoslavia. The book highlights the intricate relationship between military actions and cultural erasure, positioning the destruction of architecture as a form of cultural genocide. Through this lens, Bevan advocates for recognizing cultural genocide as a serious crime under international law, emphasizing the need to understand the broader implications of architectural destruction in the context of political science and social science.
Official synopsis Publisher
Crumbled shells of mosques in Iraq, the fall of the World Trade Center towers on September 11: when architectural totems such as these are destroyed by conflicts and the ravages of war, more than mere buildings are at stake. The Destruction of Memory—now available in this accessible, pocket edition—reveals the extent to which a nation weds itself to its landscape. Robert Bevan argues that such destruction not only shatters a nation’s culture and morale but is also a deliberate act of eradicating a culture’s memory and, ultimately, its existence.
Bevan combs through world history to highlight a range of wars and conflicts in which the destruction of architecture was pivotal. From Cortez’s razing of Aztec cities to the carpet bombings of Dresden and Tokyo in World War II to the war in the former Yugoslavia, The Destruction of Memory exposes the cultural war that rages behind architectural annihilation, revealing that in this subliminal assault lies the complex aim of exterminating a people. He provocatively argues for “the fatally intertwined experience of genocide and cultural genocide,” ultimately proposing the elevation of cultural genocide from “collateral damage” to a crime punishable by international law.
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