The Complete Peanuts Vol. 19 1987–1988

The Complete Peanuts Vol. 19 1987–1988 by Charles Schulz is an illustrated collection published by Fantagraphics Books on April 10, 2013. This volume features a range of humorous and inventive scenarios involving beloved characters such as Charlie Brown, Linus, Snoopy, and Sally, showcasing their antics during this period. Readers will find Charlie Brown navigating the complexities of flirting, Linus continuing his romance, and Snoopy facing a hockey mishap that leads to a humorous misunderstanding about dogs and surgery.
In this edition, readers can expect a blend of comic strips that highlight the charm and wit characteristic of Schulz’s work. The narrative includes Sally’s foray into playwriting, Linus and Lucy’s brother Rerun taking on a more prominent role, and Snoopy’s amusing literary endeavors. Notably, this volume introduces a surprise format change, transitioning from the traditional four-panel layout to a more varied panel structure, enhancing the visual experience. With 340 pages, this collection continues to celebrate the humor and creativity of the Peanuts series, making it a significant addition for fans and newcomers alike.
Official synopsis Publisher
So what do we have for Peanuts fans this time around? An ill-considered attempt at flirting sends Charlie Brown to the school doctor… Linus’s ongoing romance with the too-young “Lydia” of the many names continues… Snoopy is joined in the trenches by his brother Spike… Sally engages in a career as a playwright by penning the school Christmas play but mixes up Gabriel and Geronimo… A hockey mishap sends Snoopy to the doctor for knee surgery, in a (clearly autobiographical) sequence that lasts only until everyone figures out that dogs don’t have knees… Linus and Lucy’s kid brother Rerun begins to take on the greater role that will lead to him being one of the dominant characters in the 1990s… and Snoopy, inevitably, writes a “kiss and tell” book. As we reach the 19th (!) book in this epochal, best-selling series collecting arguably the greatest comic strip of all time and head toward the end of the 1980s, Charles Schulz is still as inventive, hilarious, and touching as ever… and this volume even features a surprise format change, as the daily strip switches from its trademark four-square-panels format to a more flexible one-to-four-variable-panels format which, along with Schulz’s increased use of gray tones, give this volume a striking, distinctive look.
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