The Captain’s Doll
The Captain’s Doll by D. H. Lawrence, published by Createspace Independent Publishing Platform on May 24, 2015, is a work of fiction that explores complex relationships against a backdrop of societal and personal turmoil. This edition spans 134 pages and is presented in English. The narrative follows Countess Johanna ‘Hannele’ zu Rassentlow, a fallen German aristocrat, as she engages in a relationship with Scottish officer Captain Alexander Hepburn, whose unconventional philosophy complicates their connection.
Readers will encounter a dual narrative structure that intertwines a traditional story with a symbolic exploration of themes related to love and the impacts of war. The Captain’s Doll serves as a central motif, representing the dehumanizing effects of conflict on Hepburn, who grapples with his identity in the aftermath of war. The story delves into the dynamics of Hannele’s relationship with Hepburn and the intrusion of his wife, Evangeline, adding layers of tension and complexity to the unfolding drama. This edition invites readers to reflect on the intricate interplay of romance and the consequences of societal expectations.
Official synopsis Publisher
The story chronicles the journey of fallen German aristocrat Countess Johanna ‘Hannele’ zu Rassentlow as she dates a Scottish officer of unusual philosophy. The relationship develops into one of D. H. Lawrence’s idiosyncratic ‘wicked triangles’. The intimate relationship between Captain Alexander Hepburn and Hannele is intruded upon when the captain’s wife Evangeline travels to Germany suspicious of foul play. The plot unfolds with two parallel narratives; one in the symbolic domain, the other a traditional short story narrative about these protagonists. The concurrent symbolic tale that unfolds centers around the central image of The Captain’s Doll-after which the story gains its title. This doll is a striking portrait of the Captain, with his “slender legs” and mesmerizing dark stare encapsulated in the silks and calico of a lifeless, inanimate object. This doll is an ongoing motif throughout the story as it acts as a metaphor for the dehumanizing effects of war on Hepburn – an English gentleman who had been part of the war machine and in the aftermath has come to believe that “we are worth so very little”.
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