Tennyson’s Scepticism

Tennyson’s Scepticism by Aidan Day, published by Palgrave Macmillan UK on September 20, 2005, is a scholarly examination of the poet Alfred Lord Tennyson’s work, spanning 225 pages. This book presents a revaluation of Tennyson’s poetry, arguing that his reputation as a poet primarily endorsing spiritual values overlooks a significant aspect of his writing: a metaphysical scepticism influenced by Enlightenment thought.
Readers will find a detailed analysis that challenges conventional interpretations of Tennyson’s poetry, emphasizing the intellectual complexity and subtlety often missed in cultural studies approaches. The study includes close readings of Tennyson’s earlier poems and major works such as In Memoriam, Maud, and The Lover’s Tale. This edition serves as a valuable resource for those interested in literary criticism, particularly in the context of 19th-century poetry and the evolution of modern thought.
Official synopsis Publisher
Tennyson is not known for his scepticism. This book argues that he should be. It proposes a revaluation of the way in which his work is read. Tennyson has always been understood as a poet who is committed primarily to endorsing spiritual values. But this study argues that much of his poetry is driven by a metaphysical scepticism that is associated, in part, with rational perspectives deriving from Enlightenment thought. The scepticism in Tennyson’s poetry partakes in the complex generation of the modern that was taking place in his era. One of the purposes of the study is to demonstrate that a cultural studies approach to Tennyson trivialises his intellectual subtlety and complexity. Making extensive critical use of Tennyson’s manuscript drafts, this study provides close readings of Tennyson’s earlier, shorter poems, together with the principal works of his maturity including In Memoriam , Maud and The Lover’s Tale , and will be a valuable resource for Tennyson students and scholars worldwide.
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