Take One/Take Two Compilation
Take One/Take Two Compilation by Karen Kingsbury is a work published by Zondervan on February 22, 2012, featuring 640 pages in English. This book presents the journey of filmmakers Chase Ryan and Keith Ellison, who transition from the mission field of Indonesia to Hollywood with aspirations of creating a transformative feature film. As they embark on this ambitious project, they encounter numerous challenges, including a difficult production schedule and personal insecurities, which threaten to derail their vision.
Readers will find a narrative that explores the complexities of filmmaking within a religious and romantic context, highlighting themes of faith, family life, and the pursuit of a meaningful message. The story delves into the struggles faced by the protagonists as they navigate the pressures of the film industry while seeking to maintain their spiritual integrity. The edition offers a comprehensive look at their efforts to produce a film that resonates with audiences and reflects their original mission, making it a thoughtful exploration of creativity and conviction in a challenging environment.
Official synopsis Publisher
Take One: “Filmmakers Chase Ryan and Keith Ellison left the mission field of Indonesia for the mission field of Hollywood with a dream bigger than both of them. Now they have done the impossible: raised enough money to produce a feature film with a message that could change the world. But as Chase and Keith begin shooting, their well-laid plans begin to unravel. With millions of dollars on the line, they make a desperate attempt to keep the film from falling apart–even as a temperamental actress, a botched production schedule, and their own insecurities leave little room for the creative and spiritual passion that once motivated them. Was God really behind this movie after all? A chance meeting and friendship with John Baxter could bring the encouragement they need to stay on mission and produce a movie that will actually change people’s lives. In the midst of the questions and the cameras, is it possible to keep things above the line and make a movie unlike anything done before–or is the risk too great for everyone?” — Page [4] cover.
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