Takashi Murakami The Octopus Eats Its Own Leg

“Takashi Murakami: The Octopus Eats Its Own Leg” by Michael Darling is an illustrated monograph published by Rizzoli on May 30, 2017. This book serves as a comprehensive survey of the paintings of Takashi Murakami, one of the most influential contemporary artists. It accompanies the first retrospective exhibition dedicated solely to Murakami’s paintings, tracing his artistic journey from early training to his current studio practice.
Readers will find a critical exploration of Murakami’s work as a painter, distinguishing it from discussions of his commercial endeavors. The volume features essays and illustrations, many of which are previously unpublished, that delve into his relationship with traditional Japanese painting and his ability to navigate various artistic realms. It contextualizes Murakami’s output within postwar Japan, addressing themes such as folklore, the Tokyo art scene of the 1980s and 1990s, and the implications of nuclear threats. This richly illustrated edition spans 288 pages and provides a detailed biography and exhibition history, making it a significant resource for those interested in art and individual artists.
Official synopsis Publisher
The first major U.S. monograph in ten years on Murakami is the definitive survey of the paintings of one of today’s most influential artists.
Takashi Murakami (b. 1962), one of contemporary art’s most widely recognized exponents, receives a long-awaited critical consideration in this important volume. Accompanying the first retrospective exhibition devoted solely to Murakami’s paintings, this book traces Murakami’s career from his earliest training to his current studio practice.
Where other books address the commercial aspects of Murakami’s work, this is the first serious survey of his work as a painter. Through essays and illustrations— many previously unpublished—it explores the artist’s relationship to the tradition of Japanese painting and his facility in straddling high and low, ancient and modern, Eastern and Western, commercial and high art. New texts address Murakami’s output in the context of postwar Japan, situating the artist in relation to folklore, traditional Japanese painting, the Tokyo art scene in the 1980s and 1990s, and the threat of nuclear annihilation. This richly illustrated volume also includes a detailed biography and exhibition history. Takashi Murakami is a true essential for collectors and fans alike.
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