Sunrise in Armageddon

“…What I contrast with this is the perpetuity of energy, which is not quaint. The Indian peoples in the United States have been working on this whole idea of universe where nothing is apportioned or excluded. I mention this because the mind/body is a whole system. If one part of the system doesn’t work, you become sick. The seeming tonic to this deadly malaise is psychic interconnection.But now just the opposite is happening. If you look at the newspaper, civilization is rife with separation and fracture……” Interview with Will Alexander, Rain TaxiSunrise in Armageddon is a work of blistering, sibyllic, incensed imagination. Will Alexander’s thicketed prose advances lexical ignitions of astounding angle and amplitude. Nathaniel Mackey, author of Splay AnthemRestless. riveting. Unnerving. Wilson Harris, author of Dark JesterOn one level, Alexander is like watching a new plant grow in a speeded-up film, in which all shoots, however obscure, appear to contribute to a veering and uncanny structure. On another level, he may be the first major “outsider artist” in American poetry, in as much as his work bears no relationship whatsoever to anyone in the twentieth-century American canon. Whatever he is, he is a force to reckon with, whose self-propelled soarings evoke Simon Rodia’s “Watts Towers” as well as Siberian ecstatics. Clayton Eshelman, author of Conductors of the Pit