Screenwriting Poetics and the Screen Idea
Screenwriting Poetics and the Screen Idea by I. MacDonald, published by Palgrave Macmillan UK on October 30, 2013, offers a thorough investigation into the mechanics of screenwriting. This edition spans 271 pages and is presented in English, focusing on the creative practices and theoretical frameworks that shape the screen idea. The book examines various aspects of screenwriting, utilizing a range of film and media theories to explore the intricate relationship between text and performance.
Readers will find an in-depth analysis that includes case studies on notable works such as the ITV soap Emmerdale, as well as insights into the contributions of Hitchcock’s first major screenwriter and David Lean’s unfinished project, Nostromo. The text delves into topics related to performing arts, media studies, and literary criticism, making it a valuable resource for those interested in the intersection of screenwriting and creative expression.
Official synopsis Publisher
A new, original investigation into how screenwriting works; the practices, creative ‘poetics’ and texts that serve the screen idea. Using a range of film, media and creative theories, it includes new case studies on the successful ITV soap Emmerdale, Hitchcock’s first major screenwriter and David Lean’s unfinished film, Nostromo.
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