Schrader on Schrader

Schrader on Schrader by Paul Schrader, published by Faber in 2004, is a revised edition that offers an insightful collection of dialogues with the acclaimed writer-director. This 320-page book explores Schrader’s journey from a Calvinist upbringing to becoming a significant figure in American cinema, detailing his evolution as both a film critic and director. The text delves into his notable screenplays for films like Taxi Driver and Raging Bull, as well as his directorial works, including Blue Collar and American Gigolo.
Readers will find a comprehensive examination of Schrader’s artistic vision and his engagement with challenging subjects throughout his career. The book features critical essays that reflect on his contributions to film theory and criticism, alongside discussions of his recent projects such as Affliction and Auto Focus. Schrader on Schrader serves as a valuable resource for those interested in film-making and the complexities of individual directors, providing a thorough look at the intersections of cinema and personal narrative.
Official synopsis Publisher
Now fully updated, Schrader on Schrader is an essential set of dialogues with one of the most genuinely fascinating and uncompromising writer-directors in American film. Raised as a Calvinist and hence forbidden to partake of ‘worldly pleasures’ such as movies, Paul Schrader nevertheless defied his upbringing to become first a leading film critic, then a star pupil among the US ‘movie brat’ generation of the 1970s: writing the coruscating screenplays for Scorsese’s Taxi Driver and Raging Bull and directing such provocative pictures as Blue Collar, Hardcore and American Gigolo. Maturity has never sated his appetite for attacking ‘difficult’ material, from adapting Kazantzakis’ The Last Temptation for Scorsese, to filming the singular lives of Mishima and Patty Hearst. Schrader on Schrader is a tour through this formidable body of work, including some of Schrader’s finest critical essays, and updating the story to include his recent successes Affliction and Auto Focus, plus his adventures in the making of the long-awaited horror ‘prequel’ Exorcist: The Beginning.
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