Right as Rain

Right as Rain by George P. Pelecanos, published by Warner Books in 2001, presents a gritty portrayal of Washington, D.C. This edition, written in English and spanning 332 pages, delves into the dark underbelly of the city, where drugs and violence intertwine. The narrative follows private investigator Derek Strange as he is hired to uncover the truth behind the death of Chris Wilson, a black police officer killed by a white cop, Terry Quinn. As Strange investigates, he navigates a landscape marked by racial tensions and personal struggles, revealing the complexities of identity and societal divisions.
Readers will find a compelling exploration of themes such as mystery and suspense, with a focus on the dynamics between law enforcement and the communities they serve. The story unfolds against a backdrop of hard-boiled crime and the challenges faced by its characters, particularly as Strange and Quinn confront their own biases and histories. Pelecanos’s writing combines a sharp sense of humor with a keen observation of the socio-economic issues that plague the city, making for a nuanced reading experience. This edition invites readers to engage with the intricate layers of the narrative while following Strange’s journey through a world fraught with danger and moral ambiguity.
Official synopsis Publisher
George Pelecanos’s Washington, D.C., is a far cry from the upwardlymobile, tourist-attraction-speckled enclave of Margaret Truman (Murder at the National Cathedral, Murder in Georgetown). Pelecanos’s capital is a haunting terrain of drugs and death, a no man’s land of posturing dealers and skeletal warehouses that shelter their buyers:A rat scurried into a dim side room, and a withered black face receded into the darkness. The face belonged to a junkie named Tonio Morris. He was one of the many bottom-of-the-food-chain junkies, near death and too weak to cut out a space of their own on the second floor; later, when the packets were delivered to those with cash, they’d trade anything they had, anything they’d stolen that day, or any orifice on their bodies for some rock or powder.When PI Derek Strange is hired by Chris Wilson’s mother to find out why her son, a black cop, was killed by a white cop, Terry Quinn, on a dark night inthat no man’s land, Strange figures that the answer is painfully clear: a typical case of mistaken identity, fueled by the assumptions and preconceptions of Quinn’s innate racism. But what Strange finds is a tentative kinship with Quinn, who is desperate to proclaim himself “color-blind.” Kicked off the force and convinced that there’s more to his own story, Quinn asks to join Strange in his investigation. As the two pry into the past, drifting through the neighborhoods both men have known all their lives, they find themselves enmeshed in a tangle of cold-blooded competition and heated personal enmity.Pelecanos generally has a light touch with the treacherous quagmire of -isms, veering only occasionally into sententious meanderings about the consequences of an economically and racially divided society. His wry humor, particularly in his descriptions of Earl and Ray, the heroin middlemen who bring the concept of white trash to a depressingly low level, leavens the novel’s noir bleakness. And Strange himself is a compelling character: a middle-aged black man who has seen more of life’scallousness than he cares to admit, and whose jitteriness about personalcommitment speaks volumes about his own expectations for happiness. A strong character and a good read–Pelecanos fans can settle in and look forward to Strange’s next appearance. –Kelly Flynn
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