Richard Wagner: Der Fliegende Holländer

Richard Wagner: Der Fliegende Holländer by Thomas Grey, published by Cambridge University Press on October 12, 2000, is a comprehensive handbook that delves into the origins, style, and performance history of Wagner’s opera, universally recognized as his first significant original work. This edition, written in English and spanning 240 pages, is tailored for scholars, performers, and the opera-going public, providing a thorough examination of the biographical influences that shaped the opera’s conception and its significance within Wagner’s career.
Readers will find an insightful exploration of the literary sources and production history of Der fliegende Holländer, along with a detailed survey of how various performers have interpreted the musical score over generations. The book also features rare images from notable productions, enriching the reader’s understanding of this pivotal work in the opera genre. This guide serves as a valuable resource for anyone interested in the intricate relationship between music and performance in Wagner’s oeuvre.
Official synopsis Publisher
This handbook provides an in-depth account of the origins, style, and performance history of Der fliegende Holländer (The Flying Dutchman), universally acknowledged as Wagner’s first truly significant, original work. Designed for scholars, performers and the opera-going public, the book examines the biographical impulses behind the opera’s conception, its place in the composer’s career, its literary sources and production history. There is also a detailed survey of how generations of performers have interpreted the musical score. Rare pictures from important and influential productions complete this invaluable guide.
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