Reason Knows Nothing Of
“Reason Knows Nothing Of” by Michael Tirozzi, published by Aventine Press in February 2008, is a work of fiction that explores themes of love, tragedy, and the human need for solace during difficult times. This 200-page novel is set in Boston and follows the story of an engaged couple, Steve and Gina, whose lives are turned upside down after a kitchen accident leaves Gina with severe burns. The narrative also introduces Julie, a young nurse who becomes emotionally invested in their situation, highlighting the complexities of care and connection in the face of adversity.
Readers will find a poignant exploration of self-perception and emotional barriers as the characters navigate their struggles. Gina’s retreat into isolation after her injury contrasts with Steve’s unwavering support, while Julie’s youthful perspective adds depth to the unfolding drama. The story delves into the impact of societal standards of beauty and the quest for self-reliance, making it a reflective piece on contemporary life. Through its engaging storyline, “Reason Knows Nothing Of” invites readers to consider the intricate dynamics of love and healing amidst personal strife.
Official synopsis Publisher
Reason Knows Nothing Of – a compelling story depicting love, tragedy, barriers and the basic human need to seek solace at times of personal strife. The contemporary storyline is set in Boston involving a couple whom tragedy befalls and the young sentient nurse whom attempts to go beyond medical care to attend to the pair. Steve and Gina are in their first month of their engagement when an accident in the kitchen burns Gina’s upper extremities. Julie, a new to the nursing profession, takes special interest in both Steve and Gina’s plight as she is close in age and is touched by Steve’s doting and constant vigil. Gina, once a beautiful woman retreats and hides behind a hospital curtain isolating herself from the world to the dismay of those who care for her. The characters and the storyline utilize the notions of self perception and human emotional walls as motifs to illustrate the emphasis on beauty that is prevalent in today’s media-laden culture further perpetuating the need for self reliance.
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