R. K. Narayan (Contemporary World Writers)

R. K. Narayan by John Thieme is a comprehensive study published by Manchester University Press on November 1, 2007. This edition, consisting of 264 pages, examines the work of R.K. Narayan, a foundational figure in Indian writing in English. Thieme offers detailed readings of Narayan’s novels, challenging the perception of him as merely a chronicler of “authentic” Indianness. Instead, the study situates Narayan’s fiction within specific South Indian contexts and cultural geography, while also considering the influence of non-Indian intertexts on his work.
Readers will find an in-depth analysis of Narayan’s fictional world, particularly his imaginary town of Malgudi, which serves as a complex representation of India. Thieme explores how Malgudi reflects the interplay between traditional and modern views of Indianness, emphasizing its transitional nature. The study also highlights the impact of Narayan’s writing for overseas publication on his novels, including Swami and Friends and The Guide. This edition stands as a significant resource for understanding Narayan’s literary development and the broader cultural implications of his work.
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R.K. Narayan’s reputation as one of the founding figures of Indian writing in English is re-examined in this comprehensive study of his fiction, which offers detailed readings of all his novels. Arguing against views that have seen Narayan as a chronicler of “authentic” Indianness, John Thieme locates his fiction in terms of its specific South Indian contexts and cultural geography and its non-Indian intertexts. The study also considers the effect that Narayan’s writing for overseas publication had on novels such as Swami and Friends, The Guide and The Man-Eater of Malgudi.
Narayan’s imaginary small town of Malgudi has often been seen as a metonym for India. Thieme draws on recent thinking about the ways in which place and space are constructed to demonstrate that Malgudi is always a fractured and transitional site, an interface between older conceptions of Indianness and contemporary views that stress the ubiquitousness and inescapability of change in the face of modernity. The study also shows that Malgudi is seen from varying angles of vision and with shifting emphases at different points in Narayan’s career.
As well as offering fresh insights into the influences that went into the making of Narayan’s fiction, this is the most wide-ranging and authoritative guide to his novels to have appeared to date. It provides a unique account of his development as a writer.
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