Otis Redding An Unfinished Life

Otis Redding: An Unfinished Life by Jonathan Gould is a definitive biography published by Crown Archetype in 2017, spanning 533 pages. This work coincides with the 50th anniversary of Redding’s iconic performance at the 1967 Monterey Pop Festival, exploring the life and legacy of one of the most influential figures in American music. The book delves into Redding’s remarkable career, highlighting his classic hits and his role in shaping the southern, gospel-inflected style of rhythm and blues associated with Stax Records.
In Otis Redding: An Unfinished Life, readers will find a comprehensive portrait of Redding’s background, upbringing, and professional journey, supported by extensive research and the cooperation of his family. Gould not only chronicles Redding’s artistic contributions but also contextualizes them within the social history of the era, addressing the evolving dynamics of race and music in America during a time of significant tension. This biography presents a nuanced exploration of Redding’s artistry and the broader cultural landscape of the 1960s, making it a significant addition to the fields of biography and music history.
Official synopsis Publisher
The long-awaited, definitive biography of The King of Soul, timed to coincide with the 50th anniversary of Redding’s iconic performance at the 1967 Monterey Pop Festival.
Otis Redding remains an immortal presence in the canon of American music on the strength of such classic hits as “(Sittin’ on) The Dock of the Bay,” “I’ve Been Loving You Too Long,” “Try a Little Tenderness,” and “Respect,” a song he wrote and recorded before Aretha Franklin made it her own. As the architect of the distinctly southern, gospel-inflected style of rhythm & blues associated with Stax Records in Memphis, Redding made music that has long served as the gold standard of 1960s soul. Yet an aura of myth and mystery has always surrounded his life, which was tragically cut short at the height of his career by a plane crash in December 1967.
In Otis Redding: An Unfinished Life, Jonathan Gould finally does justice to Redding’s incomparable musical artistry, drawing on exhaustive research, the cooperation of the Redding family, and previously unavailable sources of information to present the first comprehensive portrait of the singer’s background, his upbringing, and his professional career.
In chronicling the story of Redding’s life and music, Gould also presents a social history of the time and place from which they emerged. His book never lets us forget that the boundaries between black and white in popular music were becoming porous during the years when racial tensions were reaching a height throughout the United States. His indelible portrait of Redding and the mass acceptance of soul music in the 1960s is both a revealing look at a brilliant artist and a provocative exploration of the tangled history of race and music in America that resonates strongly with the present day.
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