Ori Gersht History Repeating

Ori Gersht History Repeating by Al Miner is a comprehensive survey of the Israeli-born photographer and video artist Ori Gersht, published by MFA Publications in 2012. This edition spans 261 pages and is presented in English, showcasing a collection of Gersht’s striking images that intertwine personal and collective memory with the history of art and photography.
Readers will find a rich exploration of themes such as beauty and brutality, as Gersht’s work reflects on historical traumas through various contexts, including war-torn landscapes and the remnants of past atrocities. The book delves into the juxtaposition of serene imagery against a backdrop of violence, exemplified by his evocative depictions of locations like Sarajevo and Auschwitz. Through his artistic lens, Gersht captures the delicate balance between despair and hope, inviting contemplation on the nature of memory and renewal.
Official synopsis Publisher
History Repeating is the first comprehensive survey of the Israeli-born photographer and video artist Ori Gersht (born 1967). This richly illustrated book presents the best of Gersht’s achingly beautiful images, and explores how he intertwines spectacles of painterly and narrative imagery with personal and collective memory, metaphysical journeys, contextualized spaces and the history of art and photography. Be it in the scars left on the sunlit yet war-torn buildings in Sarajevo, the white noise of his train journey to Auschwitz, or the clearing of trees in a forest that once stood witness to mass murder in Ukraine, Gersht’s vision bridges a history that is full of violent horror and a world of emergent, transcendent beauty. From the radiant optical glow of pollution in the atmosphere to his freeze-frame shots of shattering floral arrangements frozen by liquid nitrogen, Gersht’s calm is one that comes after the storm. In his 2010 series of Japanese landscapes, the ghostly visual static of cherry-blossom petals echo the militarism and sacrificed youth of World War II and the more recent nuclear fallout of Fukushima, but in their own extreme transience, they also manage to embody the possibility of spiritual renewal. History Repeating demonstrates the thin line between beauty and brutality and the sublime draftsmanship behind history’s various traumatic scars. History repeats itself: first as tragedy, then as unexpected beauty.
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