On Film

On Film by Stephen Mulhall, published by Routledge in 2008, is a significantly expanded second edition that delves into the philosophical dimensions of cinema through an analysis of the four Alien movies and additional chapters on Steven Spielberg’s Mission: Impossible trilogy and Minority Report. This 270-page book explores the sexual significance of the aliens and Ripley’s resistance, raising profound questions about humanity and the capacity of films to engage in philosophical discourse.
Readers will find a detailed examination of contemporary Hollywood films, with Mulhall applying his interpretative model to both the Alien series and the Mission: Impossible films. The book also addresses the evolving nature of cinema and television, highlighting the shift from science fiction to thriller genres. This edition serves as a resource for those interested in the intersections of performing arts, film history, and philosophy, offering insights into how these elements can deepen our understanding of cinema.
Official synopsis Publisher
In this significantly expanded new edition of his acclaimed exploration of the four Alien movies, Stephen Mulhall adds several new chapters on Steven Spielberg’s Mission: Impossible trilogy and Minority Report.
The first part of the book discusses the four Alien movies. Mulhall argues that the sexual significance of the aliens themselves, and of Ripley’s resistance to them, takes us deep into the question of what it is to be human. At the heart of the book is a highly original and controversial argument that films themselves can philosophize. Mulhall then applies his interpretative model to another sequence of contemporary Hollywood movies: the Mission: Impossible series.
A brand new chapter is devoted to each of the three films in the series, and to other films by the relevant directors that cast light on their individual contribution to it. In this discussion, the nature of television becomes as central a concern as the nature of cinema; and the shift in generic focus from science fiction to thriller also makes room for a detailed reading of Spielberg’s Minority Report.
On Film, Second Edition is essential reading for anyone interested in philosophy, film theory and cultural studies, and in the way philosophy can enrich our understanding of cinema.
Publisher
Topics
FAQ
What is “On Film” about?
Who is the author of “On Film”?
When was “On Film” published?
What is the ISBN for “On Film”?
What are the book details (language, pages, edition)?
