Olivier

Olivier by Philip Ziegler, published by Mobius on June 3, 2014, offers a comprehensive portrait of Laurence Olivier, a prominent figure in Hollywood and one of the greatest stage actors of the twentieth century. This biography delves into Olivier’s remarkable career, highlighting his achievements as both an actor and director, including his notable Shakespearian adaptations. Ziegler presents an accessible narrative that captures the complexities of Olivier’s life, including his rise to international stardom and his tumultuous marriage to Vivien Leigh.
Readers will find a detailed exploration of Olivier’s character, marked by his generosity and intense jealousy towards contemporaries. The book draws from over fifty hours of unpublished interviews, providing insights into his personal and professional life. Ziegler’s work also touches on Olivier’s significant role in establishing the National Theatre, emphasizing how his leadership was crucial to its success. With 352 pages, this edition is available in English and offers a rich examination of the entertainment and performing arts landscape during Olivier’s era.
Official synopsis Publisher
A finalist for the Sheridan Morley Prize that has been called “probably the best Olivier book for general readers” (Kirkus Reviews), Philip Ziegler’s Olivier provides an incredibly accessible and comprehensive portrait of this Hollywood superstar, Oscar-winning director, and one who is considered the greatest stage actor of the twentieth century. The era abounded in great actors–Gielgud, Richardson, Guinness, Burton, O’Toole–but none could challenge Laurence Olivier’s range and power. By the 1940s he had achieved international stardom. His affair with Vivien Leigh led to a marriage as glamorous and as tragic as any in Hollywood history. He was as accomplished a director as he was a leading man: his three Shakespearian adaptations are among the most memorable ever filmed.
And yet, at the height of his fame, he accepted what was no more than an administrator’s wage to become the founding Director of the National Theatre. In 2013 the theatre celebrates its fiftieth anniversary; without Olivier’s leadership it would never have achieved the status that it enjoys today. Off-stage, Olivier was the most extravagant of characters: generous, yet almost insanely jealous of those few contemporaries whom he deemed to be his rivals; charming but with a ferocious temper. With access to more than fifty hours of candid, unpublished interviews, Ziegler ensures that Olivier’s true character–at its most undisguised–shines through as never before.
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