Offensive Films

Offensive Films by Mikita Brottman, published by Vanderbilt University Press on October 3, 2005, is a thought-provoking examination of films that challenge societal norms and provoke discomfort. This edition spans 216 pages and is presented in English. Brottman explores a range of controversial movies, from notorious titles like Faces of Death to classic B-movies such as The Tingler and the infamous The Texas Chainsaw Massacre, offering insights into the cultural significance of these often-dismissed works.
In this study, Brottman delves into the reasons behind the offensive nature of these films, arguing that they reflect societal anxieties and taboos. By employing a blend of anthropology and psychoanalysis, the author investigates what makes these films so provocative and why they elicit strong reactions. Readers will find a comprehensive analysis that challenges the perception of these movies as mere shock value, revealing their deeper implications within the context of horror film history and criticism.
Official synopsis Publisher
Brottman offers up a study of movies so offensive, some are practically unwatchable. From the ever-popular Faces of Death movies to purported snuff films, from classic B-movies such as The Tingler, to more popular but no less controversial films such as The Texas Chainsaw Massacre, Brottman takes a wide-eyed look at movies most folks watch only through parted fingers.
While most critics have been quick to dismiss such films as mere shock-fests (if they even bother to talk about them at all), Brottman argues that these movies tell us quite a bit about who we are as a society, what makes us anxious, and what taboos we truly believe cannot be crossed. Part anthropology, part psychoanalysis, Offensive Films vivisects these movies in order to figure out just what about them is so offensive, obscene, or bizarre. In the end, Brottman proves that these films, shunned from the cinematic canon, work on us in sophisticated ways we often choose to remain unaware of.
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