Off-Off Broadway The Second Wave, 1968-1980

Off-Off Broadway The Second Wave, 1968-1980 by Christopher Olsen, published by CreateSpace Independent Publishing Platform in 2011, offers an insightful exploration of the Off-Off Broadway theatre scene in New York during the 1970s. Spanning 292 pages, this book captures the growth of Off-Off Broadway theatres and the myriad plays produced across the city’s five boroughs, focusing on a transformative 12-year period that began in 1968.
Readers will find a rich tapestry of interviews with theatre practitioners who experienced the challenges and triumphs of this vibrant era. The book presents the stories of actors, directors, playwrights, and producers who navigated the demanding landscape of low-budget theatre, highlighting their creativity and resilience. With profiles of around 40 theatres and references to many others, the book also includes a comprehensive appendix featuring production histories and photographs, providing a detailed account of a significant chapter in American drama.
Official synopsis Publisher
This book provides a glimpse into the terrain of what was called Off-Off Broadway during the 1970s in New York. It focuses on a 12-year period beginning in 1968 when the number of Off-Off Broadway theatres grew exponentially and produced many thousands of plays all across the five boroughs of New York City. Using many interviews from theatre practitioners of that time, Christopher Olsen has captured the intensity of struggling actors, directors, playwrights, and producers who tried to create theatre in extremely difficult circumstances. These theatre practitioners remember an era of intense creativity, excitement and fun, frustration, and endurance. It was indeed a fervent era of wide-ranging experimentation and innovation which has greatly influenced American theatre ever since. Many of these theatre artists continued their careers on Broadway, in regional theatre, on television, and in feature films but still vividly remember the Spartan circumstances of producing theatre for a few dollars and earning almost nothing. Their stories are now being told in this book with about 40 theatres being profiled and dozens of others referred to. The book includes a comprehensive appendix of most of the Off-Off Broadway theatres from the 1970s. It contains photos, production histories, and many quotations from theatre practitioners from that exciting time.
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