MP3 The Meaning of a Format

MP3: The Meaning of a Format by Jonathan Sterne, published by Duke University Press on July 17, 2012, explores the extensive history of the MP3 format, which has become the most prevalent method for recording audio. This 341-page book delves into the evolution of digital technologies within the broader context of twentieth-century communication, tracing developments from early hearing research in the 1910s to the advent of perceptual coding that underpins the MP3 format.
Readers will find a thorough examination of the concept of compression and its significant impact on modern media and sound culture. Sterne discusses the intricate relationships between sound, silence, and noise, as well as the economic implications of recorded sound and piracy. The book also emphasizes the importance of standards and infrastructures in shaping communication, illustrating how these elements are as vital to media as the content they convey. Through this analysis, the work invites a reconsideration of the role of formats in our understanding of audio and communication.
Official synopsis Publisher
MP3: The Meaning of a Format recounts the hundred-year history of the world’s most common format for recorded audio. Understanding the historical meaning of the MP3 format entails rethinking the place of digital technologies in the larger universe of twentieth-century communication history, from hearing research conducted by the telephone industry in the 1910s, through the mid-century development of perceptual coding (the technology underlying the MP3), to the format’s promiscuous social life since the mid 1990s.
MP3s are products of compression, a process that removes sounds unlikely to be heard from recordings. Although media history is often characterized as a progression toward greater definition, fidelity, and truthfulness, MP3: The Meaning of a Format illuminates the crucial role of compression in the development of modern media and sound culture. Taking the history of compression as his point of departure, Jonathan Sterne investigates the relationships among sound, silence, sense, and noise; the commodity status of recorded sound and the economic role of piracy; and the importance of standards in the governance of our emerging media culture. He demonstrates that formats, standards, and infrastructures—and the need for content to fit inside them—are every bit as central to communication as the boxes we call “media.”
Publisher
Topics
FAQ
What is “MP3 The Meaning of a Format” about?
Who is the author of “MP3 The Meaning of a Format”?
When was “MP3 The Meaning of a Format” published?
What is the ISBN for “MP3 The Meaning of a Format”?
What are the book details (language, pages, edition)?
