Miles to Go The Lost Years

Miles to Go: The Lost Years by Chris Murphy, published by Da Capo Press in January 2002, offers a candid look into the life of the iconic jazz musician Miles Davis through the eyes of his roadie and assistant. This edition spans 272 pages and is presented in English. The narrative delves into Davis’s complex life, including his struggles with addiction, mental health, and relationships, particularly with his children and Cicely Tyson, while also highlighting the dynamics that contributed to the success of his band.
Readers will find an engaging exploration of the music scene surrounding Davis, from the intimate settings of jazz clubs to grand world tours, culminating in his celebrated concerts at Lincoln Center in the early ’80s. Murphy’s account corrects misconceptions from Davis’s own autobiography and addresses various rumors, all while weaving in anecdotes featuring notable figures like Willie Nelson and Jimi Hendrix. The book includes eight pages of black-and-white photographs, enhancing the narrative’s connection to the vibrant world of jazz and the influential life of Miles Davis.
Official synopsis Publisher
Told by Chris Murphy, a young, down-on-his-luck, Irish-American guitarist who devoted himself to Miles Davis, first as his roadie and assistant, and then as one of his most trusted road managers, Miles to Go is a frank and intimate exploration of Davis’s eccentric working life, drug habits, paranoia, depression, and subsequent recovery. It also deals with Davis’s troubled relationship with his children and the controversial role Cicely Tyson played in his life. Murphy explores the dynamics that made Davis’s band work so well together, placing Davis’s work in a historic, literary, and musical framework. It corrects Davis’s own almost self-hating autobiography, and attempts to treat with some balance the rumors about Davis being bisexual and HIV positive upon his death. Willie Nelson, Mick Jagger, Jimi Hendrix, and a very unlikely Mother Theresa all have walk-on parts in this engaging, intelligent, and often hilarious narrative that takes us from the small seedy jazz clubs that Davis was always at home in, to the world tours, and then finally to Davis’s triumphant return with his celebrated concerts at Lincoln Center in the early ‘80s. Eight pages of black-and-white photos are included.
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