Memory for Forgetfulness August, Beirut, 1982

Memory for Forgetfulness August, Beirut, 1982 by Mahmoud Darwish is a poignant collection of prose poems published by the University of California Press on May 13, 2013. This edition, featuring a new foreword by Sinan Antoon, comprises 182 pages and is presented in English. The work captures the harrowing experiences during the 1982 Israeli invasion of Lebanon, vividly portraying the sights and sounds of a city under siege, particularly on August 6th, a date marked by historical significance.
In this reflective piece, Darwish delves into themes of exile, the role of the writer in wartime, and the intricate relationship between memory and history. The prose poems serve as a journey through personal and collective memory, exploring the political and historical dimensions of conflict. The translation by Ibrahim Muhawi effectively conveys Darwish’s exploration of Palestinian creativity and resilience amidst turmoil, while Antoon’s foreword contextualizes the work within the broader changes in the Middle East over the past three decades.
Official synopsis Publisher
One of the Arab world’s greatest poets uses the 1982 Israeli invasion of Lebanon and the shelling of Beirut as the setting for this sequence of prose poems. Mahmoud Darwish vividly recreates the sights and sounds of a city under terrible siege. As fighter jets scream overhead, he explores the war-ravaged streets of Beirut on August 6th (Hiroshima Day).
Memory for Forgetfulness is an extended reflection on the invasion and its political and historical dimensions. It is also a journey into personal and collective memory. What is the meaning of exile? What is the role of the writer in time of war? What is the relationship of writing (memory) to history (forgetfulness)? In raising these questions, Darwish implicitly connects writing, homeland, meaning, and resistance in an ironic, condensed work that combines wit with rage.
Ibrahim Muhawi’s translation beautifully renders Darwish’s testament to the heroism of a people under siege, and to Palestinian creativity and continuity. Sinan Antoon’s foreword, written expressly for this edition, sets Darwish’s work in the context of changes in the Middle East in the past thirty years.
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