Lisa Milroy
Lisa Milroy by Lewis Biggs is a comprehensive exploration of the artist’s work, published by Tate on February 1, 2001. This first edition spans 164 pages and is presented in English. The book highlights Milroy’s evolution as an artist, beginning with her notable 1980s paintings of everyday objects and expanding to include landscapes, cityscapes, and various subjects that reflect her ongoing interest in the relationship between objects and space.
Readers will find a visually rich catalogue that organizes Milroy’s paintings by subject, rather than chronologically, allowing for a deeper understanding of her recurrent themes and ideas. The book features a diverse range of her work from the past two decades, including new pieces that showcase her artistic development. With a focus on women artists and art exhibitions, this edition serves as a significant resource for those interested in contemporary art and the contributions of female artists.
Official synopsis Publisher
Product Description Lisa Milroy first received attention during the 1980s for her paintings of familiar and quite ordinary objects, often devoid of any specific context, which explored issues of space, repetition, pattern, rhythm, and order. Since the early 1990s, Milroy’s subject matter has expanded to include landscapes, cityscapes, architecture, people, and animals, revealing her continued interest in objects in relation to space. This book documents the breadth of Milroy’s career, bringing together a range of her paintings from the past two decades and including a body of her new work. Beautifully illustrated, it is organized by subject rather than chronology, providing a visual catalogue which reveals recurrent themes and ideas. About the Author Lewis Biggs is director of the Liverpool Biennial. Fiona Bradley is exhibitions organizer at the Haywood Gallery in London. Jean Pierre Criqui is an art critic based in Paris.
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