Landscape in Photographs
“Landscape in Photographs” by Karen Hellman, published by Getty Publications in 2012, presents a comprehensive exploration of the evolution of landscape photography. This edition, consisting of 111 pages, delves into how photographers have drawn inspiration from landscapes since the medium’s inception in 1839. The book showcases a diverse range of works from the J. Paul Getty Museum’s extensive collection, highlighting the impact of artistic movements and technological advancements on the representation of natural settings.
Readers will find a rich examination of how landscape photography transformed from a mere backdrop to a valued subject in its own right, particularly as urban life made natural settings increasingly rare. The book discusses various approaches, from plein air photography to the emotional depth added by Pictorialists, and the graphic compositions of 20th-century artists. It also touches on the abstract interpretations of nature by photographers like Harry Callahan and Aaron Siskind, making it a significant resource for those interested in art, nature, and the history of photography.
Official synopsis Publisher
Like painters and draftsmen before them, photographers turned to the landscape as a source of inspiration after the invention of the medium in 1839. Since then, changing artistic movements and technical advancements have provided opportunities for camera artists to approach the subject in diverse and imaginative ways, as illustrated by the wide range of works from the extensive collection of the J. Paul Getty Museum in Landscape in Photographs.
Until the nineteenth century, landscape was seen merely as a backdrop to a main subject, but with the rise of industrialization, natural settings became increasingly rare in urban life and, therefore, more valued and frequently represented. Plein air photographers recorded landscapes near and far, while Pictorialists, such as Edward Steichen and Imogen Cunningham, added emotional resonance to the scenery with their painterly style. During the twentieth century, the lenses of Edward Weston, Ansel Adams, and Minor White discovered lines, shades, and textures, and the landscape became a creation of rich tones and graphic compositions. Artists such as Harry Callahan and Aaron Siskind went further and cropped nature into purely abstract images.
Landscape in Photographs accompanies the exhibition In Focus: Picturing Landscape, on view at the Getty Center from May 22 through October 7, 2012.
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