John Henry MacKay
John Henry MacKay by John Henry Mackay, published by Xlibris Corporation in 2000, is a collection of twenty-five shorter fiction pieces that showcases the author’s diverse writing styles. This edition, comprising 408 pages, presents stories that vary in length and theme, reflecting Mackay’s reluctance to repeat himself. The narratives often feature strong individuals and delve into the complexities of human nature, including the exploration of criminal schemes, despite Mackay’s own reputation for honesty.
Readers will find a range of topics within this collection, from the transformation of characters in stories like “The Innocent” to the portrayal of life in Berlin during the early 20th century. The inclusion of homosexual characters as part of the narrative, rather than as a central conflict, marks a pioneering approach for its time. This volume serves as an introduction to Mackay’s literary legacy, offering insights into themes that he would later expand upon in his novels and poetry, and it is notable for being the first time these stories have appeared in English.
Official synopsis Publisher
John Henry Mackay (1864-1933) wrote in a variety of styles. This volume of his shorter fiction contains twenty-five stories, ranging in length from one page to the longer novella. In this range, it is essentially complete. The themes also vary considerably, for Mackay did not like to repeat himself. Nevertheless, as might be expected from the biographer of the egoist philosopher Max Stirner, they often illustrate strong individuals. Such are, for example, the protagonists of “The Sybarite” and “Herculean Triflings.” Other stories probe the foibles of human nature; in this category are “Then He Suddenly Remembered” and “The Voice.” A surprising number of stories detail the carrying out of criminal schemes–surprising because Mackay was the most honest of individuals. This is seen in “The Stronger” and “The Great Coup.”
The longest of these stories, “The Innocent,” begins with a murder that is later solved. But it is not a murder mystery; rather, it is “the story of a transformation” (the subtitle), the transformation of an extraordinary, if recognizable, personality into an even more extraordinary and unexpected personality. First published in 1931, the setting gives a fascinating picture of life in Berlin at that time. It is also pioneering in including homosexual characters, whose homosexuality does not form the “problem” of the story, but who are simply there as part of the plot. This would not become usual for several decades. But that is not the most memorable part of this unusual story, which is perhaps Mackay’s delicious sarcasm in his portrait of the Great Poet of Germany.
Though John Henry Mackay is best known as an anarchist propagandist, this volume is, all together, an excellent introduction to his work. Here, in miniature, are themes expressed at greater length in his novels and lyrically in his poetry. Critics often read his anarchist propaganda–particularly the poems–as literature and unjustly judged him by them. He saw the stories in this volume as a part of his literary legacy, on which he wanted to be judged. They appear here for the first time in English.
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