Italian Hours

Italian Hours by Henry Jr. James, published by 1st World Library – Literary Society in June 2007, is a literary collection that explores the familiar yet enchanting landscapes of Venice. This edition spans 400 pages and is presented in English. The book reflects on the well-trodden paths of Venice, acknowledging the multitude of descriptions and depictions that have come before while celebrating the enduring allure of the city.
Readers will find a thoughtful examination of Venice through the lens of nostalgia and personal affection. James invites readers to revisit the well-known sights and experiences of the city, emphasizing that while there may be little new to say, the beauty of Venice remains ever-relevant for those who cherish it. The work serves as a reminder of the joy found in familiar places, making it a fitting tribute to a city that continues to inspire love and admiration.
Official synopsis Publisher
It is a great pleasure to write the word; but I am not sure there is not a certain impudence in pretending to add anything to it. Venice has been painted and described many thousands of times, and of all the cities of the world is the easiest to visit without going there. Open the first book and you will find a rhapsody about it; step into the first picture-dealer’s and you will find three or four high-coloured “views” of it. There is notoriously nothing more to be said on the subject. Every one has been there, and every one has brought back a collection of photographs. There is as little mystery about the Grand Canal as about our local thorough-fare, and the name of St. Mark is as familiar as the postman’s ring. It is not forbidden, however, to speak of familiar things, and I hold that for the true Venice-lover Venice is always in order. There is nothing new to be said about her certainly, but the old is better than any novelty. It would be a sad day indeed when there should be something new to say. I write these lines with the full consciousness of having no infor-mation whatever to offer. I do not pretend to enlighten the reader; I pretend only to give a fillip to his memory; and I hold any writer sufficiently justified who is himself in love with his theme.
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