Impressionists in Their Gardens

Impressionists in Their Gardens by Caroline Holmes, published by Antique Collectors’ Club in 2012, is a richly illustrated exploration of the Impressionist movement through the lens of gardening. This edition, comprising 191 pages, delves into how Impressionist artists from Europe, North America, and Australia engaged with their gardens, showcasing the unique light and sensations that influenced their work. The book features stunning color photographs of both famous Impressionist paintings and contemporary images of garden sites, providing a visual feast for readers interested in art and horticulture.
Readers will find a comprehensive examination of the relationship between Impressionist artists and their gardens, highlighting the fashionable plants cultivated during this period. The first section presents contemporary paintings and photographs that capture the essence of Impressionist gardens, while the second section traces the horticultural roots of notable figures such as Monet and Gertrude Jekyll. By exploring themes of gardening, art techniques, and the historical context of modern painting, this book offers insights into the personal and artistic connections that shaped the Impressionist movement.
Official synopsis Publisher
Lavishly illustrated, this publication includes photographs of how these gardens are nowImpressionists in their Gardens covers the entire impressionist movementFeatures information on how the fashionable plants that were used, discovered and cultivatedIllustrated in gorgeous color photographs of famous impressionist paintings and garden sites – Chicago BotanicImpressionists in their Gardens explores gardens through the senses of the Impressionists from three continents – Europe, North America and Australia – enjoying the essentially similar pleasures of the garden, but engaging with the light from their skies in order to create very different sensations. The enclosure of the garden acts like a picture frame showcasing a living canvas that exudes the individuality, vision and taste of its tenants, their family, friends, lifestyles and, in the simple words of the greatest Impressionist and gardener Monet, providing motifs to paint.The first section uses contemporary paintings and photographs to see the who, what and where of Impressionist gardens – planting, eating, loving, sleeping, children, animals, working and painting. The second section, illustrated with paintings, old photographs and modern images, starts at the horticultural source – the nurseryman Latour-Marliac at Temple sur Lot, then Monet at Giverny; American Impressionists at Old Lyme, Cos Cob and Appledore in the USA; Gertrude Jekyll at Munstead Wood and beyond; the Heidelburg School and Frederick McCubbin at Fontainebleau; and, chronologically last but not least, Renoir at Les Colettes.
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