Imagining Andrew Marvell at 400

Imagining Andrew Marvell at 400 by Matthew C. Augustine, published by Oxford University Press in 2022, is a scholarly exploration celebrating the work of the poet Andrew Marvell in the year marking his 400th birthday. This edition, comprising 386 pages, presents a collection of essays from various scholars in Britain and North America, combining historical scholarship with cognitive, affective, and aesthetic inquiries into Marvell’s poetry and its significance.
Readers will find a diverse range of perspectives on Marvell’s acknowledged masterpieces, such as “The Garden” and “Upon Appleton House,” analyzed through the lens of recent historical and material evidence. The volume delves into Marvell’s lyric economies, his engagement with popular print, and the transnational aspects of his writing. Additionally, it reflects on the evolution of Marvell studies, commemorating a century since T. S. Eliot’s influential appreciation of the poet, while considering the future of English literature as scholars continue to engage with Marvell’s work.
Official synopsis Publisher
Augustine, Pertile and Zwicker celebrate the work of Andrew Marvell (1621-1678) in the quatercentenary year of his birth, combining the best historical scholarship with a varied and ambitious programme of cognitive, affective, and aesthetic inquiry. The essays have been specially commissioned for the quatercentenary and include the work of a range of scholars from Britain and North America. Acknowledged masterpieces such as the ‘Horatian Ode’, ‘The Garden’, and ‘Upon Appleton House’ are here read in light of historical and material evidence that has emerged in recent decades. At the same time, the volume offers many fresh points of entry into Marvell’s work, with particular attention to the poet’s lyric economies, Marvell’s engagement with popular print, and, not least, the polyglot and transnational dimensions of his writing. The quatercentenary also represents an important anniversary for Marvell studies, marking one hundred years since T. S. Eliot’s appreciation of the poet inaugurated modern Marvell criticism. As Imagining Andrew Marvell at 400 reassesses Marvell’s writings it also reflects on the profession of English literature, taking stock of the discipline itself, where it has been and where it might be going as scholars continue to map the pleasures and challenges of reading and re-reading Andrew Marvell.
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