How to Disappear Completely

How to Disappear Completely by Rachel Howard, published by Haunch of Venison in 2008, presents a collection of 95 pages that delve into the intersection of art and the human experience of tragedy. This edition showcases Howard’s first exhibition with the publisher, featuring a series of figurative and abstract paintings alongside ink-on-paper studies. The works explore the concept of beauty emerging from everyday tragedy, reflecting on themes of death through both personal and mediated lenses.
Readers will find that Howard’s artistic inquiry is rooted in a unique process she describes as “prodding the inevitable,” where she draws inspiration from disturbing images of suicide sourced from newspapers and the internet. The resulting paintings depict the human form in various postures, often suspended in a way that suggests a gravitational pull influencing their appearance. This exploration of art and history invites contemplation on the complexities of mortality and representation, making it a thought-provoking addition to discussions surrounding contemporary art.
Official synopsis Publisher
British artist Rachel Howard’s first exhibition with Haunch of Venison (11 January – 23 February 2008) explores the notion of a beauty that is born out of everyday tragedy. In a series of figurative and abstract paintings, and accompanying ink-on-paper studies, Howard conducts an ongoing investigation into the meaning of death, as experienced both through personal experience and through mediated representation. The departure point for these works is the disturbing images of suicide that Howard finds by trawling newspapers and the internet, a process she calls ‘prodding the inevitable’. In the resulting paintings, the artist depicts a naked human form in a variety of different postures; in many cases the figures are suspended as though pulled by the same gravitational force that has determined the overall appearance of the painting.
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