Harry Partch A Biography

Harry Partch A Biography by Bob Gilmore, published by Yale University Press in January 1998, offers an in-depth exploration of the life and work of visionary composer Harry Partch. Spanning 468 pages, this first edition presents a comprehensive narrative that highlights Partch’s significant contributions to American contemporary music, including his innovative musical instruments and unique tunings. The biography draws on interviews with Partch’s associates and the complete archives of the Harry Partch Estate, providing a detailed account of his artistic journey.
Readers will find a thorough examination of Partch’s complex relationships with friends, patrons, and the musical establishment, as well as insights into his upbringing in the Southwest and his experiences during the Depression. The book delves into Partch’s revolutionary approach to composition, which was influenced by his interest in the musicality of speech patterns. Additionally, it reflects on how Partch’s life and work intersect with broader themes in American society and the artistic avant-garde, making it a significant resource for those interested in biography and the performing arts.
Official synopsis Publisher
Visionary composer, theorist, and creator of musical instruments, Harry Partch (1901-1974) was a leading figure in the development of an indigenously American contemporary music. A pioneer in his explorations of new instruments and new tunings, Partch created multimedia theater works that combine sight and sound in a compelling synthesis. He is acknowledged as a major inspiration to postwar experimental composers as diverse as György Ligeti, Lou Harrison, Philip Glass, and Laurie Anderson, and his book Genesis of a Music, first published in 1949, is now considered a classic.
This book is the first to tell the complete story of Partch’s life and work. Drawing on interviews with many of Partch’s associates and on the complete archives of the Harry Partch Estate, Bob Gilmore provides a full and sympathetic portrait of this extraordinary creative artist. He describes Partch’s complicated relationships with friends, patrons, the musical establishment, and the world at large. He traces Partch’s upbringing in the remote desert towns of the Southwest, his explosive encounter with formal music education in Los Angeles, and his revolutionary course as a composer that began with an interest in the musicality of speech patterns. After immersing himself in hobo subculture during the Depression, Partch came to occupy a lonely and uncompromising position as a cultural outsider. Richly fascinating in themselves, Partch’s compositions, writings, and life also have much to reveal about American society and the creative impulses of the artistic avant-garde.
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