Gregorian Chant Experience

Gregorian Chant Experience by Nóirín Ní Riain, published by O’Brien Press in 1997, offers a unique exploration of Gregorian chant through the author’s personal lens. This first edition spans 187 pages and is presented in English. Ní Riain shares her intimate connection with these chants, which have served as companions during various life moments, providing a source of meditation and healing. The book features a collection of her favorite pieces, including ‘Regina Caeli’ and ‘Pange Lingua’, inviting readers into her private space filled with musical reflections.
In this work, readers will discover a blend of meditations, performances, and beautifully transcribed chants that reflect the monastic tradition. Ní Riain’s approach breathes new life into these ancient religious songs, making them accessible to both those familiar with plainchant and a younger audience encountering them for the first time. The author often performs these pieces alongside student priests from St Patrick’s College, Thurles, using Indian instruments like the surpeti and shruti box to create a rich, grounding sound. This book serves as a bridge between the historical significance of Gregorian chant and contemporary experiences of spirituality and music.
Official synopsis Publisher
For Nóirín Ní Riain, Gregorian chant is an everyday happening. For many years she has had chants as intimate experiences, friends of the heart, to be sung and held close at times of joy and sorrow. These forty are her favorites–from ‘Regina Caeli’ to ‘Pange Lingua’, from ‘Magnificat cum Alleluia’ to the ‘Gloria’–which have accompanied her through thick and thin, a source of meditation and healing. She shares this now, inviting you into her private space, in this collection of meditations, of performances, and of beautifully transcribed chants, written in the hand of a modern-day scribe in the monastic tradition. These heartsongs will tug the memory strings for many who learned plainchat as schoolchildren. They will introduce a young generation to what is for them a new experience. These are the religious songs of the ancients, now breathed into new life for our own time. They bear with them the wisdom and the serenity of centuries of meditation and attunement of the spirit. Nóirín performs these chants sometimes on her own, sometimes with the gathering of student priests from St Patrick’s College, Thurles. She accompanies them on Indian instruments–the surpeti and the shruti box–providing a continuous drone, sometimes breathy, sometimes plaintive, always anchoring the voice with an earthy sound.
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